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| Discografia - Clasica Discografias de Música Clasica |
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Herramientas | Desplegado |
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#21 |
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Moderato
Fecha de Ingreso: enero-2009
Mensajes: 758
Gracias: 17
Agradecido 1.828 veces en 528 Posts
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Mussorgsky: Pictures at an Exhibition
(Giulini, London Philharmonia Orchestra) ![]() Album : Tchaikovsky: Symphony no.6 Op.74, Mussorgsky: Pictures at an Exhibition Composer(s) : Tchaikovsky, Mussorgsky Performer : Carlo Maria Giulini, Philharmonia Orchestra of London Release date : 2000 Label : BBC Legends Number of discs : 1 Total size : 138 MB Total time : 01:15:32 Individual track details : Mussorgsky : Pictures at an Exhibition (orch. Ravel) 1. Promenade 2. I: Gnomus 3. Promenade 4. II: Il Vecchio Castello 5. Promenade 6. III: Tuileries 7. IV: Bydlo 8. Promenade 9. V: Ballet Des Poussins Dan Leur Coques 10. VI: Samuel Goldenberg Und Schmuyle 11. VII: Limoges-Le Marché 12. VII: Catacombae: Sepulchrum Romanum 13. Cum Mortuis In Lingua Mortua 14. IX: La Cabane Sur Des Pattes De Poule 15. X: La Grande Porte De Kiev Tchaikovsky: Symphony no. 6 (“Pathetique”) Op.74 16. Adagio - Allegro non troppo 17. Allegro con grazia 18. Allegro molto vivace 19. Finale, Adagio lamentoso @ 256 Kbit/s mp3 *********** The effective retirement of Carlo Maria Giulini has left the concert world without one of its most singular maestros. Equaled by few in Mozart and Verdi operas, his select concert repertoire is equally distinctive. Both works featured here receive dynamic and subtle studio recordings; the 1959 Pathétique, in particular, is an absolute classic. Maybe this live Edinburgh Festival account doesn't have the same control and symphonic integrity, but it's a gripping performance all the same. Giulini has a very Italianate ease with Tchaikovsky's melodic generosity, but never at the expense of the work's originality and tautness of structure. The third movement march is powerful and intense--no question of the audience applauding here--while the finale is passionate but never sentimental. Ravel's orchestration of Mussorgsky's Pictures at an Exhibition was a Giulini favorite; clearly he reveled in its orchestral sophistication. The present account sacrifices studio poise for live excitement, to thrilling effect. You'll need to make allowances for the limited 1961 sound, but as the "Great Gate of Kiev" reaches its spine-tingling apotheosis, the sense of "being there" is palpable. --Richard Whitehouse Download: Código:
http://rapidshare.com/files/260656862/C_Pictures_2000_Giulini__256.part1.rar http://rapidshare.com/files/260660202/C_Pictures_2000_Giulini__256.part2.rar
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**Nobody is perfect! (My name is Nobody)** |
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#22 |
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Moderato
Fecha de Ingreso: enero-2009
Mensajes: 758
Gracias: 17
Agradecido 1.828 veces en 528 Posts
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Mussorgsky- Stokowski: Pictures at an Exhibition
(Matthias Bamert, BBC Philharmonic) Album : Stokowski’s Mussorgsky Composer : Modest Mussorgsky Performer : Matthias Bamert, BBC Philharmonic Release date : 1993 Label: Chandos Number of discs : 1 Total size : 158 MB Total time : 01:09:17 Individual track details : 1. St. John's Night on Bald Mountain, "A Night on the Bare Mountain" (arr. by L. Stokowski) Boris Godunov: A Symphonic Synthesis (arr. by L. Stokowski) 2. Outside the Novodievichi Monastery — 3. Coronation of Boris — 4. Minks chanting in the Monastery of Choudov — 5. Siege of Kazan — 6. Outside the Church of Saint Basil — 7. Death of Boris — 8. Khovanshchina, Act IV: Entr'acte (arr. L. Stokowski) Pictures at an Exhibition (arr. by L. Stokowski) 9. Promenade — 10. Gnomus — 11. Promenade — 12. The Old Castle — 13. Bydlo — 14. Promenade — 15. Ballet of the Chickens in their Shells — 16. Samuel Goldenberg and Schmuyle — 17. Catacombs — 18. Con mortuis in lingua mortua — 19. The Hut on Fowl's Legs, "Baba Yaga" — 20. The Great Gate of Kiev @ 320Kbit/s mp3 Mathias Bamert is a totally sympathetic conductor for this music. Stokowski made three recordings of Night on the Bare Mountain, not counting the one for Fantasia, but Bamert's is equal to any of them, with a beautifully idyllic slow ending. Bamert's treatment of Pictures is a dazzling recreation of brilliant orchestration, but the great gem in this collection is the Boris synthesis. Once again Bamert equals Stokowski's three recordings (1936, 1941, 1968). Obviously Stokowski had on-going ideas for this score; in his last recording (on Decca/London, with the Suisse Romande Orchestra), he added a snippet from the end of the death scene, plus a shimmeringly sustained string chord that ends with soft chimes—an ending he also used in a 1968 Boston Symphony Orchestra concert. Apparently this addition wasn't published, and thus is not used in the Bamert recording. Chandos' sound is their very best, wonderfully capturing this multitude of colorful sounds with a fine sense of space and presence. A fabulous CD! Download: Código:
http://rapidshare.com/files/303085799/C_Pictures_1996_Bamert__320.part1.rar http://rapidshare.com/files/303088855/C_Pictures_1996_Bamert__320.part2.rar
__________________
**Nobody is perfect! (My name is Nobody)** |
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#23 |
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Larghetto
Fecha de Ingreso: agosto-2009
Mensajes: 42
Gracias: 57
Agradecido 53 veces en 8 Posts
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Wowww a esto le llamo conocer acerca de una obra!. En especial te agradezco los post de Celibidache.
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